Forthcoming Releases

Eli Keszler


Icons


LM082
June 25 2021

Proud to present the new album from New York based percussionist and composer Eli Keszler. Keszler has released music on Empty Editions, ESP Disk and PAN. His album Stadium released on Shelter Press was awarded Boomkat’s 2018 Album Of The Year. Frequent collaborator to Oneohtrix Point Never, Laurel Halo, and Rashad Becker – Keszler has shown and performed at The Lincoln Center, Victoria & Albert Museum, MoMA PS1, and The Barbican. He has worked across music, film and art, and has had exhibitions at the South London Gallery, MIT List Center and collaborated with Turner Prize winning artist Laure Prouvost and Kevin Beasley. Keszler has written the original score to Dasha Nekrasova’s feature The Scary of Sixty First, premiering this year at the Berlin Film Festival. And his other film work includes contributions to Daniel Lopatin's score for the Safdie Brother’s acclaimed, Uncut Gems. Keszler's new album, Icons builds upon fragments of American abstraction, dreamlike ancient melodicism, industrial percussion, jazz age film noir and imperial decay. The music takes on forms difficult to describe outside an articulation of the loss and wonderment that defines our age.




Recent Releases

KUČKA


Wrestling



LM069
April 30 2021

The debut album from writer, composer and producer Laura Jane Lowther aka KUČKA. Moving from the North of England to Western Australia to California, KUČKA has followed music around the world twice in her life. Her 2015 ep won Best Electronic Act, Best Single, Best Experimental Act and Breakthrough Producer in Australia’s WAM Awards. She has written and recorded with A$AP Rocky, Vince StaplesKendrick Lamar, SOPHIE & Flume. Besides two songs created with Flume and Vegyn, the album is the product of solitary songwriting through a tough but fruitful transitional in her life — with stark, honest depiction of her lived experiences gliding above beats indebted to classic electro & modern R&B.

“Wrestling sounds like nothing else out this year, which shouldn’t be surprising given that its author is a conduit for the most cutting-edge sounds in the world. ” The Guardian







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